Designed to be repaired from the first stitch.
Handloom-woven on cotton, naturally dyed, made in small runs. Each piece begins with research with weavers and ends with a garment that no faster process could produce.





Handwoven denim, jackets, and smaller pieces built on Sri Lankan handloom traditions — most notably Dumbara weaving, one of the island's oldest crafts. Every cloth is made by hand from start to finish.
Natural dyes and scent profiles drawn from real places — fermenting indigo, corroded copper, monsoon-wet wood. Each is developed alongside the cloth and released by the warmth of being worn.
Field recordings from weaving sheds, coastlines, and monsoon rain — captured and woven into the work as evidence of where each cloth was made.
Workshops, exhibitions, and installations where cloth, scent, and sound work as one. Shown at the UN Ocean Conference, the European Parliament, and the Royal College of Art.
Handloom-woven on cotton, naturally dyed, made in small runs. Each piece begins with research with weavers and ends with a garment that no faster process could produce.
S.O.S — SAVE OUR SEAS.
UNOC, 2025.

RECOLLECTION.
COLOMBO, 2022.

"Take Me Home" YAKADA.
Redress design awards, 2022


Every collection begins with research with weavers in Sri Lanka, with field recordings from coastlines and looms. None of it disappears at the cutting table. It stays in the cloth.

The indigo in our current collection is fermented in Sri Lanka using a centuries-old method. The copper dye in the S.O.S series mirrors the chemistry of corroding seawater. Every scent is drawn from a real place. If something is in the work, there is a reason.
